Uppsatsen utgår ifrån att religionsfrihet är en mänsklig rättighet som håller på att få allt mer internationell uppmärksamhet på grund av dess roll i ett demokratiskt samhälle. Genom att ingående beskriva de faktorer som påverkar religionsfrihet och se in på hur religionsfrihet förstås och behandlas ur en statlig synvinkel kan en rimlig förståelse skapas av religionsfrihet för Norden. Syftet med uppsatsen är att öka kunskapen om religionsfrihet för att en nordisk stat bättre ska kunna ta sig an morgondagens utmaningar i form av framförallt ett mera mångkulturellt samhälle. Den nordiska kontexten, en sekulär statsmodell samt en godtagbar religionsfrihetsmodell för framtiden är alla centrala delar i vilka religionsfrihet behandlas.Uppsatsen visar bl.a. på att religion bör ha en naturlig plats i den offentliga sfären samt behovet av att diskutera och fastslå civilsamhällets och religiösa församlingars roll i framtidens Norden beträffande frågor som berör t.ex.

The aim of this paper is to describe the position of the Swedish welfare state within the shaping of a Swedish national identity. This is done through the study of Mångkulturåret 2006, and its rhetorical context. The point of departure is that history is formed continuously in current speech and a text analytical method has been used. Mångkulturåret was issued by the Department of Culture as an extended perspective of Cultural politics. The rhetoric used in the official document Agenda för Mångkultur is analyzed through a comparison with earlier official documents on the field of multiculturalism and integration.

Anders Rådén: Liszt & Alkan: the virtuoso piano study ? practice study or monstrous mutation? Uppsala: Musikvetenskap, 1998. C-uppsats (60 p).The purpose of this essay is to analyse a selection of studies by Franz Liszt (1811-1886) and Charles- Valentin Alkan (1813-1888). Can they be definedas practice studies, or are they reshaped in such a manner, as to establish a larger form reminiscent of the concert study? First of all, typical study characteristics of this time period are determined, then such characteristics are looked for in three of either Liszt's and Alkan's studies (from Douze grandes études S137 and Douze études dans les tons mineurs Op.

The philosopher Heraclitus has been renowned for a great amount of time. Despite that fact the remaining fragments of his work have just recently been assembled to the composed form they have today. Among these fragments there are a couple of terms that stands out amongst others; one of them is the term logos. The main focus of this thesis is devoted to the mystery and usage of the term logos, which comes into a great display in fragment number 50.The ambition of the thesis is to evaluate and compare three interpreters? readings of Heraclitus while having a close focus on his usage of the word logos in fragment 50.

The purpose of this study is to investigate whether the new Swedish curriculum, GY11 brought with it changes to how non-religious world-views are presented in five different books in religious education, RE. The method used to analyze the material was a qualitative content analysis as well as counting the pages that dealt with secular world-views. This was later analyzed using philosopher Charles Taylors description and theory on secularization. This was used to identify secular processes as well as to define wether the books definition and description of secular world-views using Taylors concept of ?exclusive humanism?.The research questions are:? What are the authors writing about when describing the secular world- views?? What differences and similarities are there between the different editions prior and after the implementation of the new curriculum, GY11?? Are the secular world-views presented in a way that is compatible with Taylors concept of ?exclusive humanism??The results that are being presented are, first of all that the change between the different editions are not big.

This thesis revolves around an obvious fact: printed (or otherwise two- or three-dimensional) poetry is always and inevitably visual. By analysing a representative selection of poems, including conspicuously experimental and image-like poems as well as examples of more conventional poetry, the thesis points out that visual iconicity is an equally inevitable consequence of the visuality of printed poetry. The analysis applies terminology relating to iconicity and intermediality (presented by Lars Elleström, whose theoretical basis is the semiotics of Charles Sanders Peirce) to the selected poems, while avoiding making too specific interpretations, in order to maintain a discussion of the ever-present phenomenon of visual iconicity as such, and not just the individual examples.Rather than introducing visual iconicity specifically to confirm more or less specific interpretations of poetic texts, this method of approaching poems as two-dimensional works of art is what this paper mainly aims to propose, as a productive starting point for literary analyses in general; as is concluded in the theoretical framework by Elleström, the actual modal and iconic properties of printed poetry contradict mutually exclusive dichotomies such as verbal/visual and text/image. While indirectly visually iconic poems tend to have a wider range of possible interpretations at the outset, the existence of iconic potential, however, does not depend on any specific interpretation..

Uttryck för funderingar har påfunnits om befolkningens stöd innehar den signifikans i irreguljära konflikter som förmedlas av prominenta teoretiker i dagsläget, och därmed avspeglas i aktuella doktriner. Somliga menar att teoretikernas irreguljära krig inte överensstämmer med dagens då dessa författades primärt för att kontra revolutionära uppror. Dessa motsättningar mynnar ut i det vetenskapliga problemet som avses avhandlas, nämligen: innehar faktorn ?stöd från befolkningen? för hög signifikans, i relation till att försätta motståndarens stridande enheter ur stridbart skick, i aktuella styrdokument för irreguljära konflikter?Syftet med detta arbete är att undersöka om incitament finns för fortsatt, mer djuplodande undersökning i problematiken. Detta görs genom en teoriprövande fallstudie där Sir Charles Edward Callwells teorier i Small Wars: Thier Principles & Practice, vilka uttalat förespråkar att motståndarens enheter ska slås, appliceras på Vietnamkriget där den uttalade strategin inledningsvis innebar vinnandet av befolkningens stöd.Slutsatsen av studiens resultat anses vara att fortsatt forskning är önskvärd för att kunna befästa eller förkasta kritiken mot rådande paradigm.

Despite the fact that society is investing substantial resources in individuals not to relapse into crime, then relapse is still a large percentage of new crimes. Crime is something that all societies are dealing with and at all social levels. By punishing individuals they are excluded from the society. This serves as a form of social control. It has been shown that there is no solution to the problem.

For innovative organizations and companies it is essential to use existing knowledge to avoid spending time and resources on already existing innovations. By using patent information, companies are able to get a picture of what is already done in their area of interest. The main purpose of the study is to examine the information use in small and medium-sized enterprises that are members of the Swedish Inventor?s Association, focusing on patent information. The study examines the use of patent information and which barriers the companies have to patent information.

This master thesis summarizes contemporary theories on secularization processes in the Western world, and compares these with the example of Sweden, which by many scholars is considered to be the most secularized country in the Western world.I do this by dividing the most influential theorists in five different groups. In each group I explain how the theorists formulate and motivate their positions. These groups are:1) The secularization paradigm, where secularization always accompanies modernization. (Therorists: Steve Bruce and Peter Berger (in the 1960s)2) The paradigm basically accepted, but revised to depend on existential security, rather than modernisation as such. (Pippa Norris and Ronald Inglehart)3) Religion returned in the public sphere.

This master thesis summarizes contemporary theories on secularization processes in the Western world, and compares these with the example of Sweden, which by many scholars is considered to be the most secularized country in the Western world.I do this by dividing the most influential theorists in five different groups. In each group I explain how the theorists formulate and motivate their positions. These groups are:1) The secularization paradigm, where secularization always accompanies modernization. (Therorists: Steve Bruce and Peter Berger (in the 1960s)2) The paradigm basically accepted, but revised to depend on existential security, rather than modernisation as such. (Pippa Norris and Ronald Inglehart)3) Religion returned in the public sphere.

This paper aims to analyze the effect of the American Subprime crisis of 2007 through the perspective ofHaynes Minsky?s model according to Charles Kindleberger. The investigation revolves how the anatomyof a financial crisis develops and how it is applicable to the Subprime crisis. More specific conclusionsare derived from applying Minsky?s model to the three largest American indices; Dow Jones industrialaverage, S&P500 and NASDAQ.To deepen the analysis the Case-Shiller home price indices acts as a second parameter tocompliment Minsky?s perspective with Robert J.

I en tid där allt fler människor bosätter sig i städer har syftet med denna studie varit att undersöka människors gränsdragningar i det urbana och framför allt vilka gränsteknologier som omgärdar det egna bostadsområdet. För att besvara studiens frågeställningar har Charles Tillys (2004) teori om beständig ojämlikhet och Richard Sennetts (2008) teori om sökandet efter gemenskap i den moderna staden varit givande utgångspunkter. Det fall som studerats är Täby kommun norr om Stockholm och i ett vidare syfte har gränsdragningar i kommunen med hjälp av Blakely & Snyders (1997) teori om Gated Communities jämförts med inhägnade bostadsområdens fysiska murar. Genomförandet har utgjorts av kvalitativa samtalsintervjuer i kombination med en observation på plats vilket lett fram till resultatet att det finns både enande och åtskiljande faktorer som omgärdar Täby. Fysiska gränser har visat sig vara det geografiska avståndet och upplåtelseformer och socialt har viljan av att bo nära familjen visat sig vara en stark faktor till att sociala flyttmönster både skapas och upprätthålls.

The way in which media discusses religion has changed over time. Due to the separation of state and church in 2000, the Swedish state to a lesser extent legitimizes its political ruling with references to religious concepts. As a result, a higher tolerance towards religious minorities can be said to have taken place. This is an ambiguous change however, where critique raised towards religious practices and expressions of minorities also occurs to a higher extent. The public debate is in large part conducted through the media, but is also seen to be produced and reproduced through the media?s discourse.

Musiken som kompositör och regissör är en uppsats om hur vi som utövande sångare och kompositörer omedvetet verkar i en tradition som har sina rötter i en kompositionsteknik och estetik som hade sin storhetstid för tre till fyrahundra år sedan, nämligen affektläran.Som bas för min undersökning ligger min egen komposition, operan ?Post office?, med ettlibretto baserat på Charles Bukowskis roman med samma namn. Operan är komponerad utan att jag hade någon som helst kännedom om affektläran, och jag ställer därför frågan om jagomedvetet har komponerat utifrån en tradition som går tillbaka till 1600- och 1700-talet. Jaghar använt mig av en analysmetod där jag väljer ut vissa stycken ur operan, vilka sedan haranalyserats textligt och musikaliskt utifrån affektlärans tekniker. Jag har även med hjälp av en observation av ett antal sångare, som fått framföra delar av min opera, undersökt om det retoriskt-gestiska agerandet i barockens opera omedvetet kan leva kvar hos dagens sångare.