Stureholm Manor and garden is a relatively young farming unit on clay soil in the north western part of Skåne, a province in Southern Sweden. Since the middle of the 19th century the landscape has been actively cultivated and has been transformed from oak forrest into farmingland of high efficiency. The industrial era during the 19th and 20th centuries meant new posssibilites for cultivation of these clay soils. With equipment like steam ploughs and the possibility to obtain fertilizers, the harvest increased considerably. This increased prosperity provided estate Stureholm with a beatuiful corps de logi, a manor. The trends prevailing in Europe around the turn of the century 1800-1900 against the growing industrialism, was turned into a artisan movement known as Arts and Craft. The Swedish followers idealized our Swedish history and they took the turn of a national romantic movement that later turned into neoclassicism.

Competing is a well established work model among Swedisharchitects as well as in the international architect work force.Through this study we set out to get better acquainted with thiswork model in theory and in practice, and to hopefully gainknowledge that will be of use to us and to others working in thefield of architecture.Techniques, materials as well as the artistic expression ofcontemporary architecture is international and today?s architectsoperate on a global labour market. Architects often commit to workon assignments far away from where they are based. Therefore,to physically visit the site of interest may be time consuming,expensive as well as harmful to the environment. Is it possible fora designer to accomplish relevant proposals on how to develop andimprove a place that he or she has never visited? May there evenbe situations in which the outsiders point of view is preferable?These are questions that we aim to investigate, and we do sothrough participation in an international design competition.

Uppsatsen är både ett teoretiskt arbete om stadsodling och en gestaltning av en köksträdgård.Under vintern 2010 åtog sig sju studenter uppdraget att skapa en experimentell köksträdgårdsom en fördjupning och vidareutveckling av 2009 års utformning av köksträdgården vidingången till Wanås skulpturpark. Mitt examensarbete består i att utifrån en jämförande studiemellan teorierna om trädgårdsstäder kring förra sekelskiftet och den nu pågåendediskussionen om hur staden ska odlas utarbeta ett gestaltningsförslag för en del avköksträdgården.Examensarbetet grundar sig i en litteraturstudie över trädgårdsstaden där jag tar avstamp iEbenezer Howards visioner om trädgårdsstäder som en lösning på de problem som uppkomtill följd av förra sekelskiftets snabba urbanisering. När trädgårdsstadsidéerna konkretiseradesi Sverige mellan 1905 och 1930 blev det i form av förstäder och egnahemsträdgårdar. Mycketav de ideologiska utgångspunkterna om självförsörjande småstäder och kollektivt ägd markgick förlorade. Jag har jämfört trädgårdsstadens ursprungliga ideal med de tankar och visionersom finns i dagens stadsodlingsrörelser.

The aim with this thesis was to investigate what characterises an English Arts and Crafts garden how they could be modernised in Sweden. My research was limited to 20 weeks of full-time writing and worth 30 ECTS. Through literature studies, interviews and site visits I could analyse my findings which resulted in a concrete garden design project. The Arts and Crafts was a movement that started in England during the 1880?s and evolved as a reaction towards the industrialisation. The influence came from the writings and practices of John Ruskin (1819-1900) and William Morris (1834-1896) who advocated the importance of craftsmanship. The Arts and Crafts movement also became a ?recipe for life? and was associated with a healthy and morally pure way of living.