The purpose of this master?s thesis is to examine from a psychoanalytic point of view how Mare Kandre narrate the complex process when girl becomes woman. Earlier theoretical work concerning Mare Kandre is sparse and limited to narrow cut-outs of her authorship. There are two dissertations, but none with Kandre and her unique fictional works alone in focus. Most frequently she is presented as part of different groups of authors.

Olja är en råvara och en naturtillgång som kan ses som en investeringsmöjlighet för investerare, oljebranschen är även vår fokus på denna uppsats. Därmed, genom att kartlägga investeringsformerna aktivt förvaltade fonder och investmentbolag inom oljebranschen har vi gjort en fallstudie. Med denna studie vill vi ta reda på vilken investeringsmöjlighet som är den mest optimala utav vårt stickprov på tre aktivt förvaltade fonder och tre investmentbolag. Dessa sparformer har valts utifrån fyra olika områden bestående utav Norden (med fokus på Norge), Mellanöstern, Nordafrika och Nordamerika. Områdena har valts utifrån att de är stora oljeexportörer, att de är stora oljeimportörer och/eller att de har påverkats utav aktuella händelser.Denna undersökning har utgått ifrån teorin den effektiva marknadshypotesen som en utgångspunkt för uppsatsen.

This MA thesis analyzes how the protagonists and the narrative structure relates to ?the Child? as a linguistic/cultural construction in Mare Kandre?s early authorship (1984-1991). A thematic of children portraits defines this period of Kandre?s writing, which consits of the following works: In a Different Country (1984), The Annunciation (1986), Bübin?s Kid (1987), The Burning Tree (1988) and Aliide, Aliide (1991).Linguistic components, such as the word ?child?, the name ?Kid? and a reconstruction of the concept of childhood, holds an actuate position in these narratives when they first appear in direct relation to the protagonists. This suggests how generally accepted categories and concepts consciously are at work in Kandre?s writings.

This MA thesis analyzes how the protagonists and the narrative structure relates to ?the Child? as a linguistic/cultural construction in Mare Kandre?s early authorship (1984-1991). A thematic of children portraits defines this period of Kandre?s writing, which consits of the following works: In a Different Country (1984), The Annunciation (1986), Bübin?s Kid (1987), The Burning Tree (1988) and Aliide, Aliide (1991).Linguistic components, such as the word ?child?, the name ?Kid? and a reconstruction of the concept of childhood, holds an actuate position in these narratives when they first appear in direct relation to the protagonists. This suggests how generally accepted categories and concepts consciously are at work in Kandre?s writings.